Future Artists

Tuesday, 30 June 2009

just got an email from indie screenings, they are the climate film 'Age of Stupid' more news to follow http://ping.fm/W8roY

Friday, 26 June 2009

michael jackson media entertainer and business man, invented the modern pop video check out this moonwalk http://tiny.cc/rTSlK

music labels to profit from online videos

Labels aim to profit on videos online

Majors band with YouTube to push content

By STEVE CHAGOLLANMARC GRASER

The major music labels used to give away musicvideos to promote their acts — so much so that MTV used that largesse to build a cable network — much to the ire of music publishers.

But as their other revenue streams struggle, the labels are eying the Web as a way to make those promos more profitable for themselves, either by charging viewers to watch them or by selling advertising around the productions.

Enter Vevo, the brainchild of Universal Music Group chairman and CEO Doug Morris, which launches later this year. Plans are to turn the website, backed by UMG and Sony Music Entertainment, into a premium musicvideo and entertainment service that will lure the millions of fans who currently get their musicvids from YouTube and MySpace.

The idea is to turn Vevo into a Hulu for the music biz. Hulu has been able to drum up ad dollars by streaming familiar network and cable TV shows and studio movies. YouTube will provide the platform for the site, which will include a special Vevo-branded videoplayer. And while it’s is not one of Vevo’s owners, YouTube’s ties to the new service should provide it with the kind of professionally produced content it’s been coveting lately.

UMG already has a presence on YouTube, with its dedicated music channel generating 3.6 million streams each month.

Vevo would showcase musicvids from artists on UMG’s labels, which include Interscope Geffen A&M Records, Decca, Deutsche GrammophonUniversal Motown Republic Group, MCA Nashville and Polydor, as well as those from SMG’s Columbia, Arista, Epic, RCA, Jive and J Records, among others.

“We see this as a total, immersive music experience,” says once source, citing the labels’ “incredible library of content.” The UMG roster includes U2, Amy WinehouseDiana KrallElton John and Lil Wayne, while SMG boasts Alicia Keys, Beyonce, Bob DylanBruce Springsteen and Justin Timberlake, as well as popular catalog artists like Jimi Hendrix, the Who (with U) and Miles Davis (with Sony).

YouTube, like the record labels, has been trying to identify more ways to monetize its video programming. Its library of mostly user-generated vids may attract millions but advertisers have mostly shied away from having their marketing messages wrapped around that kind of content.

UMG and SME have yet to disclose whether Warner Bros. and EMI, who have been approached by Vevo, will add their own videos to the site once it bows. (The partners are also in talks with indie labels.) But that’s pretty likely, given how Hollywood has paired up for Hulu and video services like the one on Sony’s PlayStation Network.

Spokesmen at UMG and YouTube (the latter did not respond to calls or e-mails) were unable to comment on talks due to nondisclosure agreements.

As one insider put it, “a lot needs to happen between now and the launch date.”

In addition to musicvids, Vevo will offer everything from webisodes to “making of” minidocs. Previously unreleased archival material also no doubt will be mined for hard-core music fans.

Having content will be key to Vevo’s success, but that won’t guarantee profitability.

Yahoo Music’s two-year partnership with Nissan, which sponsored a series of intimate ad-supported concerts filmed in HD on a Fox lot soundstage to the tune of $30 million a year, provided a model for original music content on the Web. The venture, however, quietly died in December, with the economy in freefall.

Recently revamped MySpace Music also has most of the major record labels onboard but has struggled to establish itself with music fans.

While users will be able to access Vevo directly, YouTube, which according to Internet traffic tracker comScore attracts 60% of U.S. video watchers on the web, will also link to the site, as will other music-heavy destinations like MySpace, AOL and Yahoo.

Wednesday, 24 June 2009

Northwestvision and media av just blogged short film funds, but you need to be a team, cum to our event - funding here http://tiny.cc/cq2oO

Future Artists event meet film makers for funding

Northwest Vision and Media are launching their next set of short film funding, 'Broken Britain' my short film was funded by a scheme of theirs last year, they are looking for teams of people to apply, and the future artists event 3 days before, could be a great place to hook up, see you then 

July 11th at the urbis

CALLING ALL SHORT FILM MAKERS - SOME DATES FOR YOUR DIARIES AND UPCOMING SCHEMES! GREEN SHOOTS 2009/10 NWVM'S lower budget scheme for emerging filmmakers is launching soon! Green Shoots will support up to 6 short film projects. Full details will be available on the NWVM website from early July. In the meantime, please sign up for our related activities:

1) WHAT MAKES A GOOD SHORT FILM

Date: 14 July 2009 Time: 17.45 - 19.45 Venue: Revolution, Manchester Oxford Road. M1 5WH Award winning writer/director Andy Ross will be coming to Manchester to lead a fantastic session on writing for short film. This session will be extremely useful for any writer considering applying for either Green Shoots or the Digital Shorts Scheme later in the year.

To register visit Eventbrite

       

2) FILM NETWORKING EVENING   Date: 14 July 2009 Time: 20.00 - 21.30pm Venue: Revolution, Manchester Oxford Road. M1 5WH This year we will be asking people to apply to our short film schemes in teams made up of at least the following: - Producer and writer and director - Producer and writer/director To give people the chance to make new contacts and form potential application teams we have organized a networking evening to encourage emerging writers, directors and producers from across the region to come together and network.

Tuesday, 23 June 2009

been watching and buying VHS tapes just recently 50p each from charity shops, classic films and cult stuff. http://ping.fm/ioOCs

Friday, 19 June 2009

someone has just said the july 11th event in the most important ever, check this http://ping.fm/6hQIV

Tuesday, 16 June 2009

has figured out how to put video and cool stuff on his event blog if you are into film/new media go here http://ping.fm/3wGck

Future Artists July 11th FULL LINE UP tickts £5 ADV

Future Artists would like to invite you to join in with the independant film makers of the North West. SATURDAY 11TH JULY 2009 URBIS | MANCHESTER | UNITED KINGDOM 7:30 PM - 1:00 AM All tickets are £5 if purchased online via pay pal at link below, this is almost sold out, so please buy in advance. Sponsors : Asha-media.com , Smith&Smith PR , AirplayAV , Urbis , Notpartof.org , DJschool.org Order tickets now http://www.futureartists.co.uk/ What is Future Artists? Storytellers are nothing without an audience, media city will be lonely buildings without us? Future Artists are not part of media city...yet? Film-makers, actors, writers, crew, artists, new media and film lovers are coming together on one day, July 11th, to create a network of professional indy film makers and establish the North West as a leading light across the world. We where inspired by Power to the Pixel http://powertothepixel.com

Power to the Pixel 2007: Adventures in Self-Distribution PanelPower to the Pixel 2007: Adventures in Self-Distribution Panel Play video on Bing

and The Work Book Project http://workbookproject.com , 
and felt in this age of revolution that Salford and Manchester needed to be at the forefront of the digital age, they are building us a nice media city arn't they, but are we going to be part of it? SO WHATS IT ALL ABOUT!!!!! please take some time to follow the links and watch the videos, then go buy a ticket... You want to be an ACTOR, well we have a room full of directors, some like film-maker Mark Ashmore, who is looking for actors for two of his fourth-coming projects 'City of Football' and 'Big Boys Don't send Postcards' your chance to hear from Mark on how he auditions, what he is looking for, and how he met and works with his cast on his previous film 'Broken Britain' ( http://www.yourstate.co.uk ) he will be in conversation with Darren Gorden of Morello Cherry Acting Agency, and he is looking forward to seeing actors, their CVs and showreel's on the night. http://www.actingclass.co.uk

Broken Britain EP1 Intro (1 min version)Broken Britain EP1 Intro (1 min version) Play video on Bing

You want to be a WRITER, Great films are nothing without GREAT Screenplays, and these are hard to come by, everyone has a story in them, and every story has an audience, is your story feature film material, or is it a short, or is it convergence, 3D, new media, interactive, come find out what we mean, we have a room full of Directors and Producers and a project wall aimed at writers looking to get their stories made!!!!! http://www.bbc.co.uk/writersroom You want to be a FILM-MAKER well we have lined up Writers/Producers/Directors from the Northwest that have made their debut Feature films, from budgets of 3k shot over two years, to half a million shot in 6 weeks, you will be able to listen to, network and ask questions to those that have made it!!!! http://www.futureartists.co.uk Highlights In conversation with Rachel Jones: Producer @ NotANumber.co.uk Rachel produced the first indie feature film shot on REDONE cameras right here, in Manchester (Splintered - The Movie) http://www.notanumber.co.uk Fan Film Extravaganza with Sky Wilson from Inside Report Showing and talking about fan films, Star Wars: Revelations and LOTR: Hunt for Gollum. Check out the videos here http://http://www.insidereport.co.uk

Star Wars: Revelations (Trailer)Star Wars: Revelations (Trailer) Play video on Bing

The Hunt For Gollum (HD version)The Hunt For Gollum (HD version) Play video on Bing

Lookin' For LuckyLookin' For Lucky Play video on Bing

Joe O'Byrne - Salford Writer and Actor in conversation

How he made his debut feature film for £3k and got it distributed. ReelNorth producer Paul Barron said of the film, "it will be regarded as one of the most important feature films to come out of Manchester in the last 20 years", come see why... come see how... http://www.lookinforlucky.co.uk Plus many more speakers, workshops and films... see FULL LISTINGS at http://www.futureartists.co.uk/notpartof.php After show network event & party, meet all the above and everyone in the audience 10pm till 1am at the Urbis. Unwind, network and party to our special film score mash-up. If you are an indie film-maker bring your film and sell it at the market. If you love film bring some cash!!! ADV tickets £5 (Limited to 120 tickets) For more information visit: www.futureartists.co.uk Order tickets now http://www.futureartists.co.uk/
Mark Ashmore
Tel: +44 (0) 776256 3552
Mark.Ashmore@asha-media.com
ASHA-MEDIA Unit 403 Islington Mill James Street Salford M3 5HW United Kingdom ****FUTURE ARTISTS EVENT****  FUTURE ARTISTS PRESENTS A RADICAL NEW APPROACH FOR WATCHING AND MAKING FILMS... http://www.asha-media.com/yet FACEBOOK http://www.facebook.com/event.php?eid=80143316942#/event.php?eid=80143316942 TWITTER http://twitter.com/notpartof ****FUTURE ARTISTS IN THE NEWS****  http://www.britflicks.com/Lists/Film%20News/DispForm.aspx?ID=379&Source=http%3A%2F%2Fwww%2Ebritflicks%2Ecom%2FLists%2FFilm%2520News%2FAllItems%2Easpx
 
www.asha-media.com

Future Artists July 11th FULL LINE UP tickts £5 ADV

Future Artists would like to invite you to join in with the independant film makers of the North West. SATURDAY 11TH JULY 2009 URBIS | MANCHESTER | UNITED KINGDOM 7:30 PM - 1:00 AM All tickets are £5 if purchased online via pay pal at link below, this is almost sold out, so please buy in advance. Sponsors : Asha-media.com , Smith&Smith PR , AirplayAV , Urbis , Notpartof.org , DJschool.org Order tickets now http://www.futureartists.co.uk/ What is Future Artists? Storytellers are nothing without an audience, media city will be lonely buildings without us? Future Artists are not part of media city...yet? Film-makers, actors, writers, crew, artists, new media and film lovers are coming together on one day, July 11th, to create a network of professional indy film makers and establish the North West as a leading light across the world. We where inspired by Power to the Pixel http://powertothepixel.com and The Work Book Project http://workbookproject.com , and felt in this age of revolution that Salford and Manchester needed to be at the forefront of the digital age, they are building us a nice media city arn't they, but are we going to be part of it? SO WHATS IT ALL ABOUT!!!!! please take some time to follow the links and watch the videos, then go buy a ticket... You want to be an ACTOR, well we have a room full of directors, some like film-maker Mark Ashmore, who is looking for actors for two of his fourth-coming projects 'City of Football' and 'Big Boys Don't send Postcards' your chance to hear from Mark on how he auditions, what he is looking for, and how he met and works with his cast on his previous film 'Broken Britain' ( http://www.yourstate.co.uk ) he will be in conversation with Darren Gorden of Morello Cherry Acting Agency, and he is looking forward to seeing actors, their CVs and showreel's on the night. http://www.actingclass.co.uk You want to be a WRITER, Great films are nothing without GREAT Screenplays, and these are hard to come by, everyone has a story in them, and every story has an audience, is your story feature film material, or is it a short, or is it convergence, 3D, new media, interactive, come find out what we mean, we have a room full of Directors and Producers and a project wall aimed at writers looking to get their stories made!!!!! http://www.bbc.co.uk/writersroom You want to be a FILM-MAKER well we have lined up Writers/Producers/Directors from the Northwest that have made their debut Feature films, from budgets of 3k shot over two years, to half a million shot in 6 weeks, you will be able to listen to, network and ask questions to those that have made it!!!! http://www.futureartists.co.uk Highlights In conversation with Rachel Jones: Producer @ NotANumber.co.uk Rachel produced the first indie feature film shot on REDONE cameras right here, in Manchester (Splintered - The Movie) http://www.notanumber.co.uk Fan Film Extravaganza with Sky Wilson from Inside Report Showing and talking about fan films, Star Wars: Revelations and LOTR: Hunt for Gollum. Check out the videos here http://www.insidereport.co.uk Joe O'Byrne - Salford Writer and Actor in conversation How he made his debut feature film for £3k and got it distributed. ReelNorth producer Paul Barron said of the film, "it will be regarded as one of the most important feature films to come out of Manchester in the last 20 years", come see why... come see how... http://www.lookinforlucky.co.uk Plus many more speakers, workshops and films... see FULL LISTINGS at http://www.futureartists.co.uk/notpartof.php After show network event & party, meet all the above and everyone in the audience 10pm till 1am at the Urbis. Unwind, network and party to our special film score mash-up. If you are an indie film-maker bring your film and sell it at the market. If you love film bring some cash!!! ADV tickets £5 (Limited to 120 tickets) For more information visit: www.futureartists.co.uk Order tickets now http://www.futureartists.co.uk/

Labels:

Monday, 15 June 2009

kids turn to even more gizmos

Study: Devices distract kids Kids tuned in to even more gizmos By MARC GRASER Hollywood is already struggling with ways to grab the attention of consumers distracted by too many screens. But it's about to get worse. Kids age 4-14 are glued to cell phones, digital music players, laptop computers and videogame consoles more than ever before, according to a study released by the NPD Group. While television and computers remain the top two electronics devices used by kids, those in the study's age bracket own, on average, 11 of the devices that were measured in the report, reflecting just how many screens are competing for their attention. Indeed, kids are viewing so many screens now that they have to allot how much of their time is spent using each device. In the past, the big decision for kids was which one device to adopt. There's no sign of the trend reversing anytime soon, the research org said, considering that one-third of parents plan to buy a consumer electronics device for their child in the coming year. Those include everything from educational learning toys for younger kids to cell phones and digital cameras for the tween and teen set. The report also found that computers are being shared less by families and that more kids now possess their own laptops. For showbiz, there's bad news and good news. Marketers at studios and television networks will have to work overtime and spend more of their ad dollars to promote new properties to an increasingly distracted audience. On the other hand, increased usage of various devices means there's an audience on more platforms via which content creators can distribute their projects, thus creating a greater opportunity to generate revenue -- at least eventually. A previous NPD study had found that kids spend most of their leisure time watching or interacting with entertainment, with 34 hours each week spent playing videogames, listening to music or watching movies. "Consumer electronic devices are great, but content is the key driver that will help continue the growth of the kids market, particularly digital content, which goes hand-in-hand with portable devices," said Anita Frazier, an industry analyst with NPD Group. "The increase in usage of portable devices opens up more opportunity to distribute digital content." Kids are gravitating to digital music, or watching TV shows, musicvideos and online video clips on YouTube and Hulu, NPD said, adding that there's a growing opportunity to produce more high-definition TV programming for kids and digital music fare for preschoolers. Other findings in the study: n Some 46% of kids using cell phones are text messaging or sending photos; When it comes to digital music, 30% of kids own a personal digital music player like an iPod or Zune, vs. 6% in 2005; n Use of instant messaging is on a decline because of texting on cell phones and more time spent on social networking sites like MySpace and Facebook; n As for gaming, more than 37% of kids own a portable gaming device like a Nintendo DS or PlayStation PSP, while 26% own their own videogame console like Nintendo's Wii, Xbox 360 or a PlayStation. They're spending less time playing software-based games on their computers, opting for online and virtual games instead. "The activity which drives two of the three most-used consumer electronics devices, computers and videogame console systems, is gaming. Playing games is an activity that kids enjoy across most of these devices," Frazier said. NPD conducted the study online in April, surveying 3,212 adults age 23 and older with children 4-14 in their household.

Friday, 12 June 2009

Future Artists July 11th event TELL 10 PEOPLE

hi all, future artists is one hell of a ride, let me tell you, 24 hours ago we nearly lost the event as our major sponsor did a runner, lucky for us we had the support of some future artists friends to pull it back round, 24hrs is not much time to do what we did, but we pulled it back, a big thankyou to http://www.airplay.co.uk and http://www.smithandsmithpr.co.uk for being so supportive and also the team at Asha-media (Rob and Ian R) without you guys me and Jenny would be heading for the hills!!! so lets have it, we are undertaking something quite revolutionary and we get to do it at the urbis, check out our new site http://www.futureartists.co.uk full listings is up and info on the future artists project can all be found here, so tell your friends. ok guys, what i need from you is this, we need to sell 150 tickets to break even, this is a not for profit event, so we just need to sell that amount of tickets, to stop me from having panic attacks, i would like these all to be sold in advance, so what i would love you to do, is simply invite 10 people to come to the event and meet with you, and you to introduce them to someone new, who may be able to help them with their career!!! simple, once we have sold 150 tickets any extra tickets sold the profits will go to the lads serving in our armed forces, via help for heroes. use word of mouth, text, ring someone up, post it on your facebook, write it on a wall, tweet it or blog it, but make sure its aimed at someone and you are not just shouting across social media, i do this alot!!!! ask 10 people, maybe you have been promising to meet up with someone for ages (i have been promising my cast and crew that i would meet them for a drink for 4 months- urbis guys 11th july!!) well say, hey i like your film, i like your writing, hey i aint seen you since school, invite them to meet you at the event, ask 10 people and if they are free they might come!!! i have asked 15 people to ask 10 people, to see if i can sell my event, its now only £5 a ticket if you buy online (it was £7 but i will be refunding those that have already brought) july is a busy time for festivals and the arts in manchester and we thought £7 for a new type of event was too risky!!! we listened to our audience and we altered the price!!! so please when you have read this, tell 10 people, to go here this weekend only tix for the futureartists event at the urbis july11th are £5 here http://tinyurl.com/n8ymcg http://www.futureartists.co.uk could you tell 2 people about this for me, cheers me:) (its 140 characters so you can tweet it) go fourth and lets see if we can do this, if you need promo material jpegs of the flyer etc let me know, if you got this by e-mail you will already have it!!! if you want something to happen you actully have to DO SOMETHING
this weekend only tix for the futureartists event at the urbis july11th are £5 here http://ping.fm/csah3 http://ping.fm/r1pT5

Tuesday, 9 June 2009

Is just about to leave the office!!! www.asha-media.com

movie studios unite

Movie Studios Unite, Create a Hulu for Films June 8th, 2009 | by Ben Parr10 Comments It’s no secret that the Internet TV service Hulu has been on the rise in recent months. Its rapid growth can be attributed to many factors, but the fact that Hulu is owned by News Corp (FOX), NBC, and most recently Disney (ABC) has provided it with a huge edge in content. Now it seems that Hulu’s success hasn’t gone unnoticed by the movie industry. Quietly, Paramount, Lionsgate, and MGM studios have been working together on a new project that will create a new TV channel and sister website for streaming movies: Epix. And while Epix is in private beta (for now), it promises to offer hundreds of full-length movies for your viewing pleasure, but with a few important caveats. The Epix Project Epix comes in two parts: a television channel and a Hulu-like website. The television channel will show recent and popular movies from Paramount, Lionsgate, and MGM. This means you could watch Iron Man, Cloverfield, or even Raging Bull. Movies will air uninterrupted on the channel - no commercials. It may sound a lot like some premium movie channel offerings already on the market, but it differs from HBO and Showtime in one major aspect: they don’t want you to pay for it. Epix’s intent is to strike deals with cable and satellite providers to bring you the channel as part of your standard TV package. The Epix channel is only half the story, however. Epix has a fully-functional sister website, EpixHD.com. This website has hundreds of movies from the libraries of the three movie studios. As long as the movie is available for airing on the TV channel, it will be available to stream online. And since most movies have a lifespan of about 2 years on TV, it adds up to a lot of movies. Epix’s functionality So what about the website itself? Is it any good? Does it really act like a Hulu for films? Well, we were provided early access to EpixHD and took it for a spin. The first thing that strikes the eye is its straightforwardness: a panorama of movie choices greets you when you first land on the website. Selecting one will immediately take you to the movie’s web page, where you can watch the film, check out movie information, download wallpapers, and read plot details via Wikipedia(). Now, of course, what you care about are the movies and their quality, and on both fronts this beta website is already stellar. The quality is, as the site’s domain suggest, HD-level (720p at 3 megabits), and the movie selection is nothing you can laugh at, with more to come. The movies available tend to be on the newer side, but has a selection of older films as well. Regardless, being able to watch Iron Man in a legal stream puts a smile on our faces. While there are a lot of social features included in Epix, the one that caught our attention was the Private Screening feature. This spiffy little addition allows four people to watch a movie simultaneously and discuss it via a real-time chat. As a bonus, the chat is designed like a movie theater (a la Mystery Science Theater 3000). This can be a very easy way to enjoy a film together virtually. Caveats and what’s next for Epix While EpixHD is sleek and provides all the functionality you really need, the website will not be accessible by all. Yes, this is where the caveat comes into play. EpixHD is free, as long as you have the Epix TV channel. This is different than Hulu, which is geo-restricted to the U.S. If your cable provider has the channel and provides you with Internet, you will have access. There are also some accounts available that don’t require access to the TV channel, but for now it doesn’t seem like accounts will be available to all. This also means that there is not embedding feature for these full-length films. However, we don’t think it’s time to lose hope yet. Epix is still very early stage and could go in a lot of directions. Consumer demand for the product could create a pay-access version or an ad-supported version. It’s clear that they want Epix to be part of a TV package, but access can be independent of the TV channel. As a standalone website, though, Epix is content-rich and easy to use. It really is a Hulu for films, minus the embedding. We hope that as the movie studios develop the website and the plan, they’ll find ways to support the service and provide access to all. We believe that the movie studios providing online and TV access to full-length films could be a game changer, if they follow a smart game plan. In the meantime, Epix may be providing additional invites after they fix some bugs and improve the user interface. If and when that occurs, we’ll try to come back with invites.

Saturday, 6 June 2009

Roger Corman Film School

If you like this kind of thinking, check out our july 11th 2009 event http://www.asha-media.com/yet Roger William Corman (born April 5, 1926), sometimes nicknamed "King of the Bs" for his output of B-movies (though he himself rejects this as inaccurate), is a prolific American producer and director of low-budget movies, some of which have an established critical reputation: his cycle of films derived from the tales of Edgar Allan Poe for example. Corman has apprenticed many now-famous directors, stressing the importance of budgeting and resourcefulness; Corman once joked he could make a film about the fall of the Roman Empire with two extras and a sagebush.[1] Contents Full film below 'Little shop of Horrors' 1960 1 Biography 1.1 Early life 1.2 Career 1.3 Proteges 1.4 "The Corman Film School" 1.4.1 Directors 2 Partial filmography (as Director) 3 References 4 External links [edit]Biography [edit]Early life Corman was born in Detroit, Michigan, the son of Anne and William Corman, an engineer.[2] His brother Gene Corman has also produced numerous films, sometimes in collaboration with Roger. Roger Corman received an industrial engineering degree from Stanford University, beginning his film career in 1953 as a producer and screenwriter. Corman started directing films in 1955. [edit]Career In Corman's most active period, he would produce up to seven movies a year. His fastest film was perhaps The Little Shop of Horrors (1960), which was reputedly shot in two days and one night. Supposedly, he had made a bet that he could shoot an entire feature film in less than three days. Another version of the story claims that he had a set rented for a month, and finished using it with three days to spare, thus pushing him to use the set to make a new film. (These claims are disputed by others who worked on the film, who have called it part of Corman's own myth-building.) Although highly cost-effective, Corman's parsimonious approach to filmmaking was not without its critics; Charles B. Griffith, who wrote the original screenplay for Little Shop, later remarked that "[Corman] uses half his genius to degrade his own work, and the rest to degrade the artists who work for him."[3] Corman is probably best known for his filmings of various Edgar Allan Poe stories at American International Pictures, mostly in collaboration with writer/scenarist Richard Matheson, including House of Usher (1960), The Pit and the Pendulum (1961), The Premature Burial (1962), Tales of Terror (1962) The Raven (1963), The Masque of the Red Death (1964), and The Tomb of Ligeia (1964). All but Premature Burial starred Vincent Price. After the film version of The Raven was completed, he reportedly realized he still had some shooting days left before the sets were torn down and so made another film, The Terror (1963) on the spot with the remaining cast, crew and sets. He also directed one of William Shatner's earliest appearances in a lead role with The Intruder (1962). Based on a novel by Charles Beaumont, the film, made for approximately USD $80,000, has become famous for its treatment of segregation and civil rights. In 1970, Corman founded New World Pictures which became a small independently owned production/distribution studio, releasing many cult films such Death Race 2000 (1975) and the Joe Dante film Piranha (1978). Corman eventually sold New World to an investment group in 1983, and later formed Concorde Pictures and later New Horizons. Corman's penultimate film as director was 1971's Von Richthofen & Brown (he had always wanted to make an aviation movie, he being a pilot himself); he then returned to directing once more with 1990's Frankenstein Unbound. In total, Roger Corman has produced over 300 movies and directed over 50. [edit]Proteges A number of noted film directors worked with Corman, usually early in their careers, including Francis Ford Coppola, Martin Scorsese, Ron Howard, Peter Bogdanovich, Jonathan Demme, Donald G. Jackson, Gale Anne Hurd, Carl Colpaert, Joe Dante, James Cameron, John Sayles, Monte Hellman, Paul Bartel, George Armitage, Jonathan Kaplan, George Hickenlooper, Curtis Hanson, and Jack Hill. Many have said that Corman's influence taught them some of the ins-and-outs of filmmaking.[citation needed] In the extras for the DVD of The Terminator, director James Cameron refers to his work for Corman as, "I trained at the Roger Corman Film School." The British director Nicolas Roeg served as the cinematographer on The Masque of the Red Death. Actors who obtained their career breaks working for Corman include Jack Nicholson, Peter Fonda, Bruce Dern, Michael McDonald, Dennis Hopper, Talia Shire, and Robert De Niro. David Carradine, who received one of his first starring film roles in the Corman-produced Boxcar Bertha (1972) and went on to star in Death Race 2000, later noted: "It’s almost as though you can’t have a career in this business without having passed through Roger’s hands for at least a moment."[4] Many of Corman's proteges have rewarded him with cameos in their works, notably The Godfather Part II, The Silence of the Lambs, and Apollo 13. His autobiography, titled How I Made a Hundred Movies in Hollywood and Never Lost a Dime (ISBN 0-306-80874-9), documents his experiences in the film industry. In 2000, Corman was featured alongside cult filmmakers Harry Novak, Doris Wishman, David F. Friedman and former collaborators Sam Arkoff, Dick Miller and Peter Bogdanovich in the documentary SCHLOCK! The Secret History of American Movies, a film about the rise and fall of American exploitation cinema. Corman was honored with the Lifetime Achievement Award at the 2005 New York City Horror Film Festival. Corman was the fourth recipient, following George A. Romero, Tom Savini and Tobe Hooper. [edit]"The Corman Film School" A number of important and influential filmmakers and actors had their first big break with Roger Corman. The following list is limited to Oscar winners. [edit]Directors Francis Ford Coppola — directed Corman's Dementia 13. Oscar winner for The Godfather Part II Jack Nicholson – acted in four Corman-financed movies The Cry Baby Killer, The Little Shop Of Horrors, Ride the Whirlwind and The Shooting. One of his first roles was a bit part in Corman's The Saint Valentine's Day Massacre. Nicholson also had roles in two other Roger Corman films, The Raven and The Terror. Corman allowed Nicholson to direct The Terror on the final two days of filming. James Cameron — Oscar winner for Titanic, also made Aliens, The Terminator, Terminator 2, True Lies, and The Abyss — most of which, perhaps ironically, had massive budgets. Jonathan Demme — wrote and directed Corman's Caged Heat (aka Renegade Girls). Oscar winner for The Silence of the Lambs Ron Howard — acted in Corman's 1976 film "Eat My Dust", directed Corman's Grand Theft Auto. Oscar winner for A Beautiful Mind Martin Scorsese — directed Corman's Boxcar Bertha. Oscar winner for The Departed Other major directors from the Corman school have included Peter Bogdanovich, Joe Dante, Jonathan Kaplan, and John Sayles. [edit]Partial filmography (as Director) Main article: List of Roger Corman films Five Guns West (1955) Swamp Women (1955) It Conquered the World (1956) Not of This Earth (1957) Attack of the Crab Monsters (1957) The Undead (1957) The Wasp Woman (1959) A Bucket of Blood (1959) House of Usher (1960) The Little Shop of Horrors (1960) The Last Woman on Earth (1960) Creature from the Haunted Sea (1961) The Pit and the Pendulum (1961) Premature Burial (1961) The Intruder (1962) Tales of Terror (1962) X (1963) (also known as X: The Man with the X-Ray Eyes) The Raven (1963) The Terror (1963) The Masque of the Red Death (1964) The Tomb of Ligeia (1964) The Secret Invasion (1964) The Wild Angels (1966) The Trip (1967) Bloody Mama (1970) Gas-s-s-s (1971) Von Richthofen and Brown (1971) Frankenstein Unbound (1990)

Labels:

Northwest Indie film industry take over

if you like this, you'll like our event http://www.asha-media.com/yet on july 11th 2009

 30

May 2009 festivals

feature

NORTH WEST NEW WAVE

By Jon Williams

On average 94% of film funding is commandeered by London. That’s 6% for the rest of the UK. What’s more, most of that 6% was never intended to be spent on regional filmmaking, but on attracting the ‘film industry’ – be it London or Hollywood – to come and spend some money in the regions. A tiny fraction, typically £100,000 per region, was to be spent on short films and script development as a talent-spotting exercise that might, just might, lead to one or two people from the regions getting the opportunity of moving to London and becoming part of the industry. So, whichever way you look at it, when it comes to filmmaking, London and Hollywood were the intended beneficiaries of even the crumbs under the table.

Of course all these structures were pretty much out of date by the time they were established, as they were rooted in the pre-digital age. So filmmakers in the regions (funny that, London’s not a region, everywhere else is) simply side-stepped the powers that be, and were caught up by the realisation that there wasn’t that much difference between making films and making albums.

Many of these films have not been that good, although there is research that suggests the ratio of good to bad is actually better than Hollywood. Many have been sidetracked by the belief that ‘no-budget’ means cutting corners, or by self-styled gurus preaching the mantra of ‘make a genre film, make a gangster flick or horror movie’.

However, a group of filmmakers in the North West have embraced the creative freedom that comes with complete independence and have set about making films without compromise, no matter how long they may take to complete. These aren’t films with a cast of four, mumbled improvised dialogue and one location. Albino Injun’s big-hearted now-previewing production, Lookin’ for Lucky, features a large ensemble cast who portray characters, trapped by bad luck on a sink estate in Bolton, whose lives are colliding, in a Joe O’Byrne script that’s more reminiscent of Robert Altman than Shane Meadows. 

Or there’s Pleased Sheep Film’s very highly-rated Diary of a Bad Lad – a black comedy that exposes the moral vacuum at the centre of the media’s fascination with crime; and was shot at countless locations in Blackburn and its surrounding parts of East Lancashire, as well as Bolton and Manchester, and includes not just one but two night club scenes! And both films were made on less than £5000 cash.

These films came out of an awareness that they could only be made on a part-time basis, with everyone who contributed having a stake in the project. They were going to take a very long time – years, not months – and they had to be good enough to inspire everyone’s determination to see them through to completion and beyond.

Others were joining the movement. Filmmaker and jazz pianist Baldwin Li set about making 25gs, which, on the surface is a Manchester gangster flick, except one that’s been re-worked into a Lynchian meditation on responsibility and the circular nature of events. It’s definitely a film that, if made abroad, would be screened in Manchester’s The Cornerhouse – but, like the other major arthouses, it’s programmed by the ICO in London and receives subsidies to show ‘non-British’ films.

Then there’s Siab Studios just completed Mancattan which takes a sideways look at the ‘rom-com’ through the eyes of a couple of ex-film students who flee from their relationship problems in Manchester and head off for New York in an attempt to make a documentary about Woody Allen.

Now these filmmakers are coming together with the aim of establishing an alternative regional exhibition circuit made up of independent cinemas, arts centres and other venues. And so far the response has been 100% positive. 

Top left: 25gs

Top right: Mancattan

Above: Diary of a Bad Lad

Tuesday, 2 June 2009

July 11th Future artists and Asha media hit the Urbis

Revolution happens again in Manchester!!!
What is future artists? -Without deviation from the norm progress is not possible' Frank Zappa
Storytellers are nothing without an audience, media city will be lonely buildings without us?
Future Artists are not part of media city...yet?
film-makers, actors, writers, crew, artists, new media and film lovers are coming together on one day
July 11th to answer one question: Do we need media city, or does media city need us?
Highlights of the event include (more info at www.asha-media.com/yet)
in conversation with Rachel Jones: Producer @ http://www.notanumber.co.uk , Rachel produced the 1st indie feature film
shot on REDONE Cameras, right here in Manchester. ( http://www.splinteredthemovie.com/ )
Fan Film Extravaganza with Sky Wilson from inside report showing and talking about Fan films
star wars revelations and, LOTR Hunt for Gollum ( www.insidereport.co.uk )
Joe O'Byrne - Salford Writer and Actor in conversation, how he made his debut feature film for 3k and got it distributed
ReelNorth producer Paul Barron said of the film 'it will be regarded as one of the most important feature films to come out of Manchester in the last 20 years', come see why? come see how http://www.lookinforlucky.co.uk/ 
Plus many more speakers, workshops and Films please visit http://www.asha-media.com/yet for more info
After show network event and party 10pm till 1am at the Urbis, unwind, network and party to our special film score mash-up.
If you are an indie film-maker bring your film and sell it at the market. if you love film bring some cash!!! see you there.
If you read this please pass it onto 10 people, blog it, tweet it, put it on your profile, tell two people about it in the pub, text a friend, call some one up about it, but most importantly if you want to be part of it, please come along to manchester, england on July 11th 2009,
tickets at http://www.asha-media.com
A very big thank you to our sponsor http://www.smithandsmithpr.co.uk/ 
Mark Ashmore and Jenny Inchbald - creators of future artists.
more info on us ****FUTURE ARTISTS IN THE NEWS**** 
http://www.britflicks.com/Lists/Film%20News/DispForm.aspx?ID=379&Source=http%3A%2F%2Fwww%2Ebritflicks%2Ecom%2FLists%2FFilm%2520News%2FAllItems%2Easpx

Monday, 1 June 2009

Future Artists July 11th event

You are invited to the revolution...Not part of media city yet?

FUTURE ARTISTS

Without deviation from the norm progress is not possible” - Frank Zappa

Future Artists is a Film Studio run in the style of United Artists back in the day of Charlie Chaplain – there is no physical studio but a network of high end film people that bring together everything that's needed to make films! We have a technology partner, a PR company and a media accountants. We have a facilities house, actors agencies, script writers and post production facilities ready and waiting. We are negotiating with a specialist law firm and advertising agencies at the moment. We are specialising in new media from funding to distribution but are still engaged with traditional models – you can't teach an old dog new tricks but old dogs can still teach tricks!

The media industry today is a new world, but its not that scary, difficult or unknown, its simple. No more 'Film Industry', then 'TV industry' and then 'that internet thing the kids do'. There is just content and platforms. Each platform has its politics and certain content will do better on different ones in different orders or in different ways.

TV needs cheap content, film revenues are falling and everyone's got at least an email and one of those social media profile things. Each project has an archetype audience, target them from beginning to end and then you've sold every ticket before the film has even been made!

The Future is Future Artists.

EVENT

FUTURE ARTISTS

Not part of Media City ...yet? 

Audience come meet your film makers, film makers come meet your audience; we are not part of media city … yet? A Festival born of need.

Future Artists is organising a not-for-profit film festival at the Urbis on 11th July, and on-line from the 4th of July, as part of the international fringe of the Manchester International Festival, the 'Not Part of Festival'.

Welcome to Manchester's first multi-media cross-platform film festival and the birth of a new film making community! As part of the underground and independent film, TV and content making community we realised a few things were lacking. We thought about what we love and what we need, we asked around, on-line and off, and came up with this. A festival born of need!!!! And we've stolen the whole of the Urbis ground floor to do it!

We have the best films in the North West, which have alot more to say then 'its grim up here' (at last!!!) and Sky Wilson  from Inside Reports has her top films so get ready for the ultimate fan zone! 

We have seasoned feature film producers, directors, new starters, acting agencies, accountants, journalists and a few people you may recognise - everything we need and you need in one place to kick off Manchester as the home of New Media.

Future Aritsts presents the ultimate Northern film experience, get involved!
TICKETS £7 (EARLY BIRD TILL JUNE 15TH) BUY ONLINE http://www.asha-media.com/yet

1000 true fans article

1000 True Fans

Kevin Kelly's articulation of survival on the long tail was one of the essential readings this year for anyone trying to figure out a new paradigm for Indie and Truly Free Filmmaking.  It may be old hat out in blogland, but it is a concept that still hasn't been discussed enough among indie filmmakers.  It promotes the notion that: 
A creator, such as an artist, musician, photographer, craftsperson, performer, animator, designer, videomaker, or author - in other words, anyone producing works of art - needs to acquire only 1,000 True Fans to make a living.
As a fan of a great deal of diverse artists, I regularly marvel at how musicians in particular do a good job of maintaining an ongoing dialogue with their fans.  Filmmakers, outside of Kevin Smith, don't seem to embrace this necessity.  I suppose it can be argued that prolific artists working in multiple formats, like Michel Gondry, do it well too.  The Safdie Brothers are another good example amongst the more emerging set.  But as Kelly points out:
The key challenge is that you have to maintain direct contact with your 1,000 True Fans. They are giving you their support directly. Maybe they come to your house concerts, or they are buying your DVDs from your website, or they order your prints from Pictopia. As much as possible you retain the full amount of their support. You also benefit from the direct feedback and love.
To ignore this advice and still hope for the industry to simply discover you and reward you, limits your options to mainstream tentpole pictures.  This may well be some filmmakers' dream, but they might as well plan to win the lottery.   What is so exciting is that there has never been a better time to plan on building the apparatus that allows you to be a Truly Free Filmmaker.  The tools to build your 1000 True Fan circle are there.  Kelly illuminates:
 The technologies of connection and small-time manufacturing make this circle possible. Blogs and RSS feeds trickle out news, and upcoming appearances or new works. Web sites host galleries of your past work, archives of biographical information, and catalogs of paraphernalia. Diskmakers, Blurb, rapid prototyping shops, Myspace, Facebook, and the entire digital domain all conspire to make duplication and dissemination in small quantities fast, cheap and easy. You don't need a million fans to justify producing something new. A mere one thousand is sufficient. ... This small circle of diehard fans, which can provide you with a living, is surrounded by concentric circles of Lesser Fans.
I have frequently feared that it is the dream of stardom and wealth that fuels both the indie production cycle and film school enrollment lists.  Maybe that is because the possibility of survival and being a true artist seemed so impossible.  But that does not have to be so, if you invest some time and energy in building your own support system.
Young artists starting out in this digitally mediated world have another path other than stardom, a path made possible by the very technology that creates the long tail. Instead of trying to reach the narrow and unlikely peaks of platinum hits, bestseller blockbusters, and celebrity status, they can aim for direct connection with 1,000 True Fans. It's a much saner destination to hope for. You make a living instead of a fortune. You are surrounded not by fad and fashionable infatuation, but by True Fans. And you are much more likely to actually arrive there.
Any way, read the article and take it to heart.  And for those of you who already know this gospel, please help to promote the word.

SKY and Murdoch Corp strike landmark content deal with XBOX 360 and Microsoft

Sky puts content on Xbox console

By Darren Waters  Technology editor, BBC News website

http://newsimg.bbc.co.uk/shared/img/999999.gif

British broadcaster Sky has struck a deal with Microsoft that will see live football, TV and film content brought to the Xbox 360.

The deal marks the Xbox's first move into live linear broadcast TV.

Rival consoles, Sony's PlayStation 3 and Nintendo's Wii, can access catch-up TV content via the BBC's iPlayer.

Sky's channels will be available on the Xbox 360 from the autumn, but no specific line-up or pricing details have been given.

Users of Microsoft's Xbox Live online service on the 360 in the UK and the Irish Republic will be able to watch Sky's live sport, programmes, catch-up TV and on demand films, without the need for a satellite dish or set-top box, or being an existing Sky customer.

Reduced cost?

Sky's commercial group director Stephen Nuttall hinted there could be deals for some current Sky subscribers.

Sky customers who have subscribed to premium content packages, or have multiple set-top boxes or one of the bigger broadband packages could get content via their Xbox at a reduced cost.

Neil Thompson, head of Xbox for UK and the Irish Republic, said: "The entertainment world is changing immensely, with consumers looking for choice, flexibility and convenience.

"They also want to experience community elements."

The line-up of channels and content available via the Xbox would be similar to the existing Sky Player service, available on PCs and Macs, said Mr Nuttall.

Virtual personas

Xbox Live users will also be able to watch Sky content together virtually, chatting over the broadband connection, and sending messages via their avatars, or virtual personas.

The community viewing aspect will start with sport broadcasts, and could potentially roll out to other live TV content as well.

Mr Nuttall said Sky on Xbox was an "extra convenience, a choice; it's a complement and alternative to the existing methods of experiencing Sky's content".

Currently, users can get content via a satellite service, a PC service and a mobile service, either separately or in combination.

Sky has 9.3 million subscribers in the UK, and the firm said "hundreds of thousands of people" were using its online Sky Player regularly.

Microsoft would not say how many Xbox 360 users it had in the UK, or how many Xbox Live subscribers.

The video content from Sky will be streamed in standard definition, "DVD quality" and will require at least a one megabit per second connection.

Mr Thompson said the deal with Sky did not rule out the BBC's iPlayer ever appearing on the Xbox 360.

Mr Nuttall said putting content on the 360 did not signal the end of the set-top box.

He said: "It's about the expansion of choice. The Sky Plus HD box has got a lot of distinct features that distinguish it from any sort of competition, including the Xbox 360."

Northwest to get 40meg SUPERFAST Broadband in LANDMARK DEAL with BT

NWDA and BT join forces to drive technology and innovation benefits across the region

A PIONEERING agreement has been signed to boost the development of high tech information and communications technology in the North West.

BT, which plans to bring super-fast broadband to 10 million UK homes by 2012, and the Northwest Regional Development Agency have pledged to work together to help the region’s businesses and households benefit fully from the ‘communications revolution’.

The agreement, believed to be the first of its kind in the UK, will see the two organisations working in partnership to promote digital innovation, including the deployment and exploitation of super-fast broadband, and drive transformation.

The ‘Memorandum of Understanding’ was signed by leaders from the two organisations at the NWDA’s headquarters in Warrington.

The MOU states:“The Parties to this Memorandum of Understanding wish to work together to exploit the economic, social and environmental impact and value of ICT; with the deployment of a high speed broadband infrastructure at the heart of this transformation.”

It was signed by Vanda Murray, deputy chair of the NWDA, Mark Hughes, the NWDA’s executive director of economic development, Mike Blackburn, BT’s regional director for the North West, and Peter Connor, BT’s North West regional manager.

Vanda Murray said: “This MOU with BT will help to achieve major economic, social and environmental objectives across the region, and formally marks the start of a strong working partnership between BT and the NWDA. This partnership will help to exploit the impact and value of broadband so that businesses and individuals in the region can take advantage of the benefits of innovative technologies.”

Mike Blackburn said: “Our initial aim will be to work in partnership with the pioneering communities and organisations in Greater Manchester, who will be among the first in the UK to benefit from super-fast fibre-based broadband and to build awareness in local businesses and households of the exciting opportunities, such as high definition video for education and entertainment.

“The awareness programme will then be progressively expanded to other areas in the North West. It is planned to include the creation of a Digital Innovation Forum, as well as local events and marketing.

“The forum, representing businesses, communities and experts in the North West, would meet regularly and aim to accelerate the creative, local use of new communications technology.”

This agreement follows BT’s announcement at the end of March, that the North West will be among the first regions to benefit from the largest investment in super-fast broadband ever seen in the UK.   BT is installing fibre-based broadband in parts of Bury, Oldham, Failsworth, Rusholme, Didsbury and Heaton Moor early next year as part of the £1.5 billion project.    Speeds of up to 40Mb/s will initially be available to more than 140,000 homes and businesses in the six communities and to 500,000 customers in the UK as a whole, with the prospect off them rising to 60Mb/s. These speeds are more than 10 times those experienced now by most UK households. The next set of locations, serving a further million homes and businesses, will be announced in the Autumn.   It is the first major phase of the UK’s biggest ever investment programme in super-fast broadband. BT has pledged to spend £1.5 billion by 2012 to ensure 40 per cent of UK homes and businesses – some 10 million premises – can enjoy fibre-based super-fast broadband. The UK already leads the way in terms of DSL broadband access and penetration.

Issued by the NWDA and BT press offices. For more information please contact: Neil Roscoe, NWDA press office, on tel.: 01925 400232 or email: neil.roscoe@nwda.co.uk Emma Tennant, BT regional press office, on tel.: 0800 085 0660 or email: emma.tennant@bt.com For further information and to view previous press releases visit us at www.nwda.co.uk or www.erdfnw.co.uk The Northwest Regional Development Agency (NWDA) leads the economic development and regeneration of England's Northwest and is responsible for: • Supporting business growth and encouraging investment • Matching skills provision to employer needs • Creating the conditions for economic growth • Connecting the region through effective transport and communication infrastructure • Promoting the region’s outstanding quality of life About BT BT is one of the world’s leading providers of communications solutions and services operating in 170 countries.  Its principal activities include the provision of networked IT services globally; local, national and international telecommunications services to our customers for use at home, at work and on the move; broadband and internet products and services and converged fixed/mobile products and services.  BT consists principally of four lines of business: BT Global Services, Openreach, BT Retail and BT Wholesale. In the year ended March 31, 2008, BT Group’s revenue was £20,704 million with profit before taxation and specific items of £2,506 million. British Telecommunications plc (BT) is a wholly-owned subsidiary of BT Group plc and encompasses virtually all businesses and assets of the BT Group.  BT Group plc is listed on stock exchanges in London and New York.  For more information, visit www.bt.com/aboutbt

Instant HD Streaming!!!

en2Asha media met these guys in Cannes, and we are working on something pretty special, check them out.... there tech streams HD instantly and iam working on a wireless connection, that aint that strong!!!!!go International Inc. Enters Virgin Territory, Signs Beta Testing License Agreement With Virgin Management Limited

BURBANK, Calif., March 25 /PRNewswire-FirstCall/ -- en2go International, Inc. ("en2go" or the "Company") (OTC Bulletin Board: ENGO) today announced the milestone signing of a beta licensing agreement (the "Agreement"), with Sir Richard Branson’s Virgin Management Limited of London, England ("Virgin"), to test the Company’s HD media delivery platform Flyxo ("Flyxo" or the "Software").

Under terms of the Agreement, Virgin has a termed license to utilize the Software to determine its capabilities and possible application to any or all of Virgin’s mobile telephony, transportation, travel, financial services, leisure, music, holidays, publishing and retailing or other brands. Flyxo is a media delivery platform that broadcasts HD movies, images, music, flash, quartz, slideshows and more directly to the user’s desktop for a superior multimedia experience.

Mr. Alex Hunter, Head of Online Marketing for the Virgin Group, and en2go’s Founder and Flyxo developer Tolga Katas are working jointly to test and configure the Software.

Alex Hunter: "We’re excited to be part of the testing process for Flyxo. Tolga and his en2go team have created an extremely innovative product and we’re looking forward to taking it for a spin."

"We are privileged to be working with a highly-recognized and innovative global brand like Virgin, and the insightful and technologically brilliant Alex Hunter," said Tolga Katas. "We are very confident that the collaboration between en2go and Virgin will advance our technologies and deliver extraordinary results for both companies."

About Flyxo

Flyxo is the first of en2go’s beta-phase applications being developed using the Company’s proprietary en2ools technology. en2ools facilitates an extraordinarily high-speed, browser-bypassing architecture for searching, sending, managing and viewing massive digital video, graphic and data files on the Internet. Unlike most video streaming technologies, Flyxo can deliver a stream of mixed clips from HD video to high-resolution images to a user’s computer, cell phone, gaming device, or television. Flyxo enables content owners to easily create their own channel by mixing video with interactive media, for viewing, distribution or broadcast anywhere in the world.

About Virgin

Virgin, a leading branded venture capital organization, is one of the world’s most recognized and respected brands. Conceived in 1970 by Sir Richard Branson, the Virgin Group has gone on to grow very successful businesses in sectors ranging from mobile telephony, to transportation, travel, financial services, leisure, music, holidays, publishing and retailing.

Virgin has created more than 200 branded, customer-driven companies worldwide, employing over 50,000 people in 29 countries. Global revenue exceeds 11 billion pounds Sterling (approx. US$17 billion) annually.

About en2go International, Inc.

en2go International, Inc. is a Burbank, California-based Company that develops next-generation software applications designed to enhance a user’s digital lifestyle and create a monetizable bridge between technology and entertainment. en2go(TM) is developing a global infrastructure to enable content creators, artists, businesses and organizations the ability to intelligently connect with target audiences through their own media channels.

en2go(TM) is bolstered by a growing brain trust of renowned software innovators and digital media icons including Tolga Katas, Apple co-founder Steve Wozniak, John Draper, Ted Cohen, Paul Fishkin and others.

For further information about en2go contact Christine Marie or Jeff Wolin at 818-433-7191 or visitwww.en2go.com.